Advice for Being An Independent Artist

IMG_5221.JPG

Earlier this week, I had the privilege of speaking at a class at the San Francisco Conservatory of Music. During one portion of this talk, I gave some words of advice about making a living as an independent artist. Here they are in case they are helpful to anyone else:

1. You don't need to know everything
Artists can tend to be perfectionists, and as such, we can be very hard on ourselves when we come face-to-face with our own ignorance. We can feel this pressure that we should arrive "pre-arrived," as if there is no incubating period for coming into one's own. But this kind of thinking is counter-intuitive to the artistic process, which is often rife with not knowing. We should be curious, free, and ever in a spirit of learning. There is also much value in learning to depend on others for help. If you don't know how to make a website or manage a budget or create a production schedule, find friends or hire people who do! It's not all on you to do everything.

2. Get to know yourself
While you may not need to know everything, one thing that will help the very core of your artistry is knowing yourself. This is a lifelong journey, so I've modified the traditional "Know yourself" into "Get to know yourself." No one finishes college knowing completely who they are. And we are always evolving throughout our lifetime, so getting to know ourselves is never over. The power that comes with getting to know yourself is manyfold. You will learn what your values are. You will define success on your own terms. You will know what to say "No" to. Your voice will automatically emerge from your artistry, because your identity will be expressed without your working to make it so.

3. Think of yourself as an artist
Some people don't need this advice. They know they are artists, and always have known. But for everyone else, we often wonder if we qualify for the title "artist" (or "writer," or "dancer," or "filmmaker," etc). But at what point do you get to earn that title? When you get your degree? When you get your first commission? First production? First review? The fact is, there may always be some reason to think you aren't worthy of the title. But I think this is a classic case of "Fake it till you make it" being true. Unless you allow yourself to own the title of artist, you'll always be wondering if you're good enough, if you've made it. Think of yourself as an artist, put in the work, and one day you'll find that the title suits you just fine.

4. Think of yourself as a business
This might sound slimy, but if you want to make money with your art, you are a business. If it's any help, instead of thinking of it as selling a product, try thinking of it as meeting a need. Broadly speaking, the world needs art, music, stories. If we didn't believe that, we wouldn't be pursuing careers in the arts. So, we are here to help meet that need! I believe thinking of yourself as a business is really about protecting yourself from those who will take advantage of you. There will be people who want to take and take and take from you for free or far less than what your dignity is worth. Shoring yourself up with good business practices isn't slimy; it's self-care. Learn a bit about the legal, financial, and marketing sides of business - or find people who are good at those things and hire them to help you run your business. When those things are in order, you will be freed up to pursue your artistic whim without worry.

Posted on February 8, 2018 and filed under Career, Creative, Thought.

Recording is a Team Effort

Just a handful of the amazing individuals who are helping turn this album dream into reality!

Just a handful of the amazing individuals who are helping turn this album dream into reality!

I spent the past weekend at 25th Street Recording in Oakland with the Four Immigrants cast, musicians and creative team to record the original cast album for the show*. To be honest, going into the weekend, I was feeling fairly anxious. I have recorded two cast albums before, and both of them demanded so much time and attention that my impression of the recording process was that it was always mentally draining. So, I braced myself for a similar experience this time. I'm delighted to say that, while the recording sessions were definitely still demanding, the entire process actually went very smoothly and with minimal hiccups.

It was immediately clear to me that this was because I had such a great team of people around me. We were fortunate not only to have the entire cast back, but each musician in our 6-person ensemble had played in the pit for the show as well! This enabled us to jump right back into the material even after almost half a year had passed since the last time we performed it. Perhaps the biggest help was that I had a team of people to help take on some of the administrative and decision-making roles. For my past albums, I wore the hats of producer, manager, and music director combined. For The Four Immigrants, we split up these responsibilities among five people, and, by doing so, were able to keep things focused, organized and on track. This made a world of difference. Having a team of people you trust. Working with them and leaning on them. This sense of relying on others to help us get through to the end is, interestingly enough, one of the major themes in the show as well. I'm so grateful to all of the individuals who lent their skills, talent, time, and funds to this project. I wouldn't be able to do it alone.

*We are still trying to raise funds to help with the final production and distribution costs of the album. If you would like to make a donation, click here.

FOUR IMMIGRANTS makes "Best of 2017" Lists!

Over the holidays, I was honored to find out that The Four Immigrants made it onto a few "Best of 2017" Theatre Lists:

A very nice start to my 2018! And this weekend, we're heading into the recording studio to work on the cast album! More on that later!

Posted on January 2, 2018 and filed under Career, Musical Theater, Performing Arts, Publicity, Writing.

My Year in Review!

A shorter version of this year-in-review was e-mailed to my Newsletter recipients earlier this week. I can often be hard on myself, focusing only on what else I need to achieve, and staring at task lists and check boxes in order to feel like I'm getting somewhere. I can feel like I'm falling behind or failing or not doing enough. So these kinds of reviews help me see the things that I have accomplished, and remind me to take a moment and be proud of my work.

--

I want to start by acknowledging that for many of my friends and colleagues, 2017 has been a very difficult year. I know too many people who have felt the ripple effects of political policies that seem to strengthen messages of hate and bigotry, rather than freedom and diversity. Additionally, there seems to have been an onslaught of natural disasters this year that continues to this day with the Southern California Fires.

Still, in the face of these trials and traumas, I have also seen amazing creative work flourish around me. I am honored to be part of a theatre community that is committed to being bold and unrelenting in its story- and truth-telling. 2017 has also yielded much fruit for me in my writing endeavors. Here's just a snapshot of highlights by month:

JANUARY
Bad Kitty On Stage! opens at TYKEs in Rochester, NY
Conducted in-class workshops for Story Explorers

FEBRUARY
World premiere of Story Explorers at Bay Area Children's Theatre

MARCH
Invited as a Guest Speaker at UC Berkeley to discuss Story Explorers
Helped out as a "Resume Doctor" at the Theatre Bay Area Conference

APRIL
Workshop of The Four Immigrants at Playwrights Foundation

MAY
World premiere of Step Up Crew begins touring Bay Area schools
Bad Kitty On Stage! opens at the Gifford Family Theatre in Syracuse, NY
Table Reading of Song of the Nightingale at Town Hall Theatre

JUNE
Rehearsals for The Four Immigrants begins at TheatreWorks

JULY
World premiere of The Four Immigrants at TheatreWorks - my first LORT Production

AUGUST
First Table Read of Inside Out & Back Again at Bay Area Children's Theatre

SEPTEMBER
The Song of the Nightingale opens at Town Hall Theatre

OCTOBER
Taught a "Song-aturgy" class at Musical Cafe

NOVEMBER
The Four Immigrants receives the Theatre Bay Area Award for Outstanding World Premiere Musical

DECEMBER
Workshop for Inside Out & Back Again at Bay Area Children's Theatre

Now onward to 2018!